In the past, Kuroshitsuji shoehorned Grell too often unnecessarily, thus giving off an image of her being incompetent and purely Sebastian-obsessed. I have to say, I didn’t really understand the appeal of Grell or Ronald, but the script truly had them perform as charming individuals and as a funny team. The scenes with the grim reapers were energetic and fun. I should also remark they made her extra cute in the film. I’m glad the writers and animators didn’t rush it. Her movements were meticulously animated and I adored the attention to the way the camera constantly panned to her shoes. I read Yana’s tweet about Lizzie “moving like a ballerina” and had my doubts prior to watching it, but she was indeed right. I especially praise the storyboard artist(s) who worked on Lizzie’s scene. The animation staff who worked on Book of Atlantic gave it their all on the fighting scenes.
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Lines weren't translated awkwardly and suited well to the western audience, translating Japanese words to British slang/vocabulary, for instance. Mistranslated, such as Frances’ gender-neutral comment about “that child protecting their beloved” or something to that nature. The Funimation team translated the film very well! A couple of mistranslated lines from the online scanlation that were for foreshadowing purposes weren’t
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For a film whose manga premise is about a boy who is in a contract with a demon, this film also possesses very heartwarming scenes between a typically sullen boy and his ever-cheerful adorable fiancée. It maintains the line between action and comedy well - the latter of which I should remark is above average, due to its fair balance of deadpan-like humor and gags. ]īook of Atlantic executes itself wonderfully.